Vietnam War / American War Stories: A Symposium on Conflict and Civic Engagement
Vietnam War / American War Stories: A Symposium on Conflict and Civic Engagement
Vietnam War / American War Stories: A Symposium on Conflict and Civic Engagement
July 23-24, 2018 : Indiana University Bloomington, Herman B Wells Library, Hazelbaker Hall
Vietnam War / American War Stories: A Symposium on Conflict and Civic Engagement is designed to:
identify compelling ways to present war’s social and cultural complexities
strategize how best to engage both scholars and the general public with primary source materials that tell these stories from multiple perspectives The symposium will examine the potential for civic engagement with archives like Vietnam War / American War Stories in the context of public humanities discourse and initiatives, and will include theoretical and practical explorations around crowdsourcing, curricula-building, and broader forms of outreach and engagement by scholars and citizens alike. The outcomes from these discussions will inform the ongoing development of the Vietnam War / American War Stories digital archive. We are particularly interested in:
profiling types of materials that veterans or those touched by the Vietnam War are eager to share
corroborating those materials with content held by individuals, military, state, and national archives
modeling the materials along with the documentary content to establish the necessary connections between the two
exploring options for more automated submission and review of contributed content
identifying the barriers (i.e., demographics, geospatial, etc.) for receiving this content and potential
Day 1 of the symposium is designed to introduce the Vietnam War / American War Stories project. The focus will be on foundational themes and issues, setting the stage for Day 2, which is more praxis oriented.
Day 2 of the symposium is rooted in practice, designed to deconstruct the themes and issues presented on Day 1 through applied research, teaching, and outreach.
9:15 am - 10:00 am Project Overview/Research Goals Ron Osgood, Patrick C. Shih, & Jacob Hagstrom, Indiana University
10:00 am - 10:45 am John Bodnar, Indiana University
10:45 am - 11:00 am Break
11:00 am - 11:45 am Rebecca Wingo, University of Cincinnati
11:45 am - 1:15 pm Lunch (on own)
1:15 pm - 2:00 pm David Ferriero, National Archives & Records Administration
2:00 pm - 2:45 pm Kurt Luther, Virginia Tech
2:45 pm - 3:15 pm Break
3:15 pm - 4:15 pm Break-Out Session with Keynote Speakers
4:30 pm - 5:45 pm Screening of Osgood’s Just Like Me
Tuesday, July 24, 2018
9:00 am - 9:40 am Recap / Website Walkthrough
Ron Osgood & Patrick C. Shih, Indiana University
9:45 am - 11:45 am Panel & Discussion: Narratives Facilitator: Barbara Truesdell Ed Linenthal, Indiana University; Heather Stur, Southern Mississippi; Larry Berman, UC Davis
11:45 am - 1:15 pm Lunch (on own)
1:30 pm - 3:15 pm Panel & Discussion: Outreach & Civic Engagement Facilitator: Patrick Shih Lisa Silvestri, Gonzaga; Callie Wright, Vietnam Veterans Memorial Fund; Erik Villard, U.S. Army
3:15 pm - 3:30 pm Break
3:35 pm - 4:30 pm Break-Out Sessions
4:30 pm - 5:00 pm Debrief/Next Steps
Speakers & Abstracts
War and Memory: The Meaning of Winning and Losing in Narratives from the Other Side
Larry Berman, Professor Emeritus, University of California Davis & Founding Dean, Honors College, Georgia State University
I have been writing about Vietnam since 1982 and learned much about the war and peace from participants on both sides of the brutal conflict. In my presentation, I want to share how participants in the war from the so-called “winning side” have helped me to better understand not just the war, but also the sense of loss that is often shared with those on the “losing side”. This despair for “what might have been” or “hope and vanquished reality” unites both sides. I am especially interested in participants’ stories as told in memoirs, oral histories and personal interviews. For this presentation, I will focus on those individuals with whom I have engaged in extensive and multiple interviews/discussions and who, with one exception, have also produced memoirs from their experiences in war. The one exception is Pham Xuan An, whose memories and stories are recorded in my book Perfect Spy. Each of these participants helped me understand the war through the eyes of a Vietnamese and altered my own narrative for how I speak and write about the war.
Larry Berman,Professor Emeritus, UC Davis and Dean of the Honors College at Georgia State University.His books include Planning a Tragedy: The Americanization of the War in Vietnam, Lyndon Johnson’s War: The Road To Stalemate in Vietnam, No Peace, No Honor: Nixon, Kissinger and Betrayal in Vietnam (Free Press, 2001), Perfect Spy: The Incredible Double Life of Pham Xuan An, Time Magazine Reporter and Vietnamese Communist Agent and ZUMWALT: The Life and Times of Admiral Elmo Russell “Bud”Zumwalt, Jr.” Berman served two years on the content advisory committee for The Education Center at The Wall project, a learning facility planned for construction on the grounds of the Vietnam Veterans and Lincoln Memorials. He has received fellowships from the Guggenheim Foundation and the American Council of Learned Societies., a Fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C. and scholar in residence at the Rockefeller Foundation’s Center in Bellagio, Italy. He received theBernathLecture Prize, given annually by the Society for Historians of American Foreign Relations to a scholar whose work has most contributed to our understanding of foreign relations.
Soldiers Write the War: World War II, Vietnam and the War on Terror
John Bodnar, Distinguished and Chancellor's Professor, Department of History, Indiana University
This paper will explore the way American soldiers from three different wars wrote about their experiences. It will attempt to unravel the fragile relationship between patriotic accounts of war that tended to uphold noble ideals validating the nation's war effort and thepossibility that war could actually produce laudable traits andmore tragic stories that refused to efface the confusion and pain military conflict imposed upon individuals. As such, it will explore the problem of memory and trauma and the significant tension soldiers faced when they attempted to recreate their experience for a public audience that could not know what it had been like.
The part of the paper devoted to World War II will focus on the fiction of Norman Maile and the autobiography of William Manchester--both combat vets. Mailer's renowned novel, The Naked and the Dead, recast the "Good War" in a highly critical light that exposed the deep strain of violence that he felt marked American society and explained why it spared no expense in bringing ruin to the Japanese. Manchester acknowledged the violence and carnage but sought to extract from it tales of heroic men and who cared deeply for each other. Such narratives contrast sharply with those coming from the experience of Vietnam. Vets like Ron Kovic, Tim O'Brien and others mounted withering attacks on any notion that patriotic service could result in anything positive or nurture admirable character traits. In some ways the World War II stories were actually more conflicted than those formed in Southeast Asia in the 1960s.
The final part of this brief paper will explore the outpouring of literature produced by men who served in Afghanistan and Iraq. Again, significant differences are evident among the fighters themselves. A greater effort is made in this most recent contest to restore some faith in traditional patriotic ideals. This effort has had some success but has been hotly contested by tales that absolutely reject any attempt to use patriotic honor to wipe out the memory of pain and loss.
John Bodnar, Distinguished & Chancellor’s Professor, Department of History, Indiana University, has researched and written about social and cultural history, patriotism and memory. Professor Bodnar is the author of ten books on the cultural history of the United States, most recently The “Good War” in American Memory (Johns Hopkins University Press, 2010), which is an exploration of the competing memories surrounding the Second World War. Throughout his career, he has used oral histories and other primary sources to expand our understanding of the complexities of historical memory.
Remembering Vietnam: An Experiment in Civic Engagement
David S. Ferriero, Archivist of the United States, National Archives & Records Administration
Ferriero will discuss the planning process for a major exhibit on the Vietnam War within the context of the mission of the National Archives. Particular focus will be on how the principles of Open Government—transparency, collaboration, and participation—impacted that process. Building on the success of the National Archives Citizen Archivist Project, Ferriero will share how the lessons learned have influenced his agency’s approach to exhibit and education planning, with an emphasis on the exhibit commemorating the Vietnam War.
Remembering Vietnam is a media-rich exploration the Vietnam War, featuring interviews with Americans and Vietnamese veterans and civilians with firsthand experience of the war’s events as well as historic analysis. It is a fascinating collection of newly discovered and iconic original documents, images, film footage, and artifacts that illuminate 12 critical episodes in the war that divided the peoples of both the United States and Vietnam, covering the period 1946 to 1975.
The exhibit encourages visitors to answer these questions: Why did the United States become involved in Vietnam? Why was the war so long? Why was it so controversial? The sacrifices made by veterans and their families, the magnitude of death and destruction, and the war’s lasting effects require no less. Remembering Vietnam is a resource for refreshing our collective memory. National Archives records trace the policies and decisions made by the architects of the conflict. Its collection of evidence provides an opportunity for new insight and greater understanding of one of the most consequential wars in American history.
David Ferriero, Archivist of the United States at the National Archives and Records Administration, is a steadfast advocate of the principles of Open Government that include transparency for, participation by, and collaboration with citizens and residents of the United States of America.Ferrierois well known for his “Citizen Archivist” initiative, a platform and community movement that facilitates public contributions to historical records through crowdsourcing approaches.
Blood Sacrifice and Clashing American Narratives of the Vietnam War
Edward Linenthal, Professor of History, Indiana University Bloomington
The mass slaughter of 1864-1865 in the American Civil War eroded traditional belief in martial sacrifice as redemptive, blood shed for the new birth of the nation. Narratives in tension continued through both World Wars and the Korean War and gained intensity with the erosion of popular support for the war in Vietnam. The “dope and dementia,” “quagmire,” and “atrocity producing context” narrative templates clashed with traditional patriotic narratives of America at war.
Edward Linenthal, Professor of History at Indiana University, researches myths and symbols and their appropriation during war times, war sites and their states of veneration and defilement, and memorialization. He has published several books, many of which focus on memory of times of war and terror includingThe Unfinished Bombing: Oklahoma City in American MemoryandPreserving Memory: The Struggle to Create America’s Holocaust Museum.
Rediscovering American War Experiences through Crowdsourcing and Computation
Kurt Luther, Assistant Professor of Computer Science, College of Engineering, Virginia Tech
Stories of war are complex, varied, powerful, and fundamentally human. Thus, crowdsourcing can be a natural fit for deepening our understanding of war, both by scaling up research efforts and by providing compelling learning experiences. Yet, few crowdsourced history projects help the public to do more than read, collect, or transcribe primary sources. In this talk, I present three examples of augmenting crowdsourcing efforts with computational techniques to enable deeper public engagement and more advanced historical analysis around stories of war. In “Mapping the Fourth of July in the Civil War Era,” funded by the NHPRC, we explore how crowdsourcing and natural language processing (NLP) tools help participants learn historical thinking skills while connecting American Civil War-era documents to scholarly topics of interest. In “Civil War Photo Sleuth,” funded by the NSF, we combine crowdsourcing with face recognition technology to help participants rediscover the lost identities of photographs of American Civil War soldiers and sailors. And in “The American Soldier in World War II,” funded by the NEH, we bring together crowdsourcing, NLP, and visualization to help participants explore the attitudes of American GIs in their own words. Across all three projects, I discuss broader principles for designing tools, interfaces, and online communities to support more meaningful and valuable crowdsourced contributions to scholarship about war and conflict.
Lisa Ellen Silvestri, Assistant Professor of Communication Studies, Gonzaga University
With support from the National Endowment for the Humanities, Telling War, a veteran based initiative, explores manifestations of the veteran voice through a variety of story forms such as papermaking, six word war stories, podcasting, and documentary film. Telling War’s mission is to cultivate creative opportunities for veterans to tell their story. This presentation will review some of the project’s initial outcomes. For example, when participating veterans used the ancient art of papermaking to transform their uniforms into paper then bind into book form, they were able to access stories often untold in the public sphere. The books they created held personal imagery and artifacts from their time in the service. The papermaking process allowed them to metabolize and story their experiences. In other cases, veterans wrote six word war stories following in the legacy of Hemmingway’s famous six word short story, “For sale: baby shoes, never worn.” Although brief, these first-person memoirs captured aspects of deployment–from the everyday to the extreme–that shifted the communicative priority from eloquence to essence. By sharing these examples and others, this presentation argues that in order to enrich collective knowledge and memory of war, the stories told and heard about war must be expanded and diversified.
Lisa Silvestri, Professorof CommunicationStudies at Gonzaga University, researches the ethical and moral dimensions of digital culture and war with a special focus on social media engagement in the context of war.Silvestriis the author ofFriended at the Front: Social Mediain the American War Zone, and has published numerous articles in journals likeThe International Journal of Media and CultureandCulture, Media, War & Conflict.
Who Gets to Tell the Vietnam War Story?
Dr. Heather Marie Stur, Professor of History at the University of Southern Mississippi
For as much as has been written and produced about the Vietnam War, the voices telling the story have remained much the same. Historians and journalists have privileged American male combat veterans of the war and high-ranking U.S. policymakers, while in Vietnam, the official state story is one of U.S. imperialists versus Vietnamese freedom fighters. Lost in these tellings of the story was South Vietnamese veterans and their families, anticommunist Vietnamese citizens, political activists of all stripes in South Vietnam, American women who served in the war, U.S. support or rear echelon troops, U.S. Embassy employees, and troops of the "free world" forces in Vietnam. These voices are crucial for understanding how the conflict developed and played out, what its consequences were, and what its legacies are.
Heather Stur, Professor of History at theUniversity ofSouthernMississippi, researches U.S. foreign relations, women/gender and war, decolonization, Vietnam War and modern Vietnamese History, warfare and diplomacy, and war and the American identity.Sturhas two books in progress,After the Fall of Saigon: From Liberation to Reunification of VietnamandSaigon Intellectuals and South Vietnam’s National Identity, in addition to a published book entitledBeyond Combat: Women and Gender in the Vietnam War Era
Learn, Honor, and Respect: Using Social Media to Explore the History of the Vietnam War
Dr. Erik B. Villard, Digital Military Historian, US Army Center of Military History
Social media offers a powerful platform for those who want to study and discuss the Vietnam War, offering unprecedented opportunities to build collaborative communities with veterans, scholars, students, and subject matter experts around the world. However, the toxicity that permeates many online forums and the controversies that still rage about the Vietnam War present challenges to anyone wishing to use social media as a learning and teaching tool. Four years ago, in April 2014, I started a Facebook group called VietnamWarHistoryOrg (on my personal time) in an attempt to build a collaborative community that leveraged the advantages of social media while minimizing the risks associated with the platform. Since that time, the community has grown to nearly 30,000 vetted members, managed by a team of about 15 administrators (all volunteers, many of them veterans, and five people who were born and lived in Vietnam during the war), and all accomplished without any funding or marketing. Now the largest serious history group in social media, VietnamWarHistoryOrg has amassed some valuable lessons on what to do, and what not to do, that ought to be of interest to anyone wishing to use social media as a tool for teaching and learning.
Erik Villardhas a Ph.D. in History and is the official U.S. Army historian of the Vietnam War. His Facebook siteVietnamWarHistoryOrghas more than20,000members.Known as an expert in the TET Offensive, he has written two books on the Vietnam War:1968 TET Offensive Battles ofQuangTri City and HueandU.S. Combatant Operations in 1967-1968.He has consulted on a number of military projects and has written extensively about the war.
Empowering Citizen Scholars: Lessons Learned from the History Harvest
Rebecca Wingo, Assistant Professor of History, and Director of Public History, University of Cincinnati
The History Harvest is a community-centered, student-driven archival project that empowers community voices through material-based oral histories. Over the course of a semester, History Harvest students partner with a community to run an event in which community members bring artifacts of significance. Students record community members as they tell stories about their objects and digitize the artifacts for a shared online archive. The community members then take their items back home; there is no acquisition. This one-day event is a bit like Antiques Roadshow, except everything is valuable. More than a singular event, however, the History Harvest can be a litmus test for the success of a community partnership. Wingo’s first History Harvest was with the Rondo community, a historically African American neighborhood in Saint Paul, MN, bisected by the construction of I-94 in the 1960s. The community has been fighting for recognition of what happened to them ever since. Wingo will discuss the multitude of public history projects that formed in the wake of the harvest, demonstrating the value of forming long-term partnerships, and including lessons learned about community engagement.
Rebecca Wingois a scholar of the Indigenous and American West. She is about to start a new position as an Assistant Professor of History and the Director of Public History at the University of Cincinnati. Her first book, Homesteading the Plains, reopens lines of scholarship around the Homestead Act of 1862 and extensively integrates digital history methods. Her next book, Housing the Crows, examines the links between house-building policy and adult Indian education on the Crow Reservation during the assimilation era. But she's not here today to talk about either of those books. Today she will talk about public humanities and her involvement with a community-based course called the History Harvest. The resulting community work involved prompted her to assemble an open access, co-edited volume called Digital Community Engagement: Partnering Communities with the Academy that is now in the works.
Outreach Through Partnerships and Teacher Education Callie Wright, Education Programs Manager, Vietnam Veterans Memorial Fund
When speaking with teachers the refrain is often the same. “We just don’t have enough time to talk about the Vietnam War”. As a former history teacher I have said and believed those very words. However, most educators actually spend a great deal of time teaching and talking about the Vietnam era. From Martin Luther King Jr. to Kennedy, Johnson, and Nixon, middle school and high school curriculum is rife with politics and discussion of the Civil Rights Movement and rightly so. Yet, Vietnam often becomes more of an afterthought, causing students to see the two times as different entities, rather than working together. The Vietnam Veterans Memorial Fund is committed to educating all generations about the impact of the Vietnam era and bridging that gap. This presentation will review the ways VVMF works to offer teachers and community members meaningful professional development through our discussion guides, Echoes From The Wall. Additionally, it will examine how the Vietnam era offers a multitude of opportunities to discuss the war, the politics, and the legacy of the heroes inscribed upon The Wall.
Callie Wright is the Educations Program Manager for the Vietnam Veterans Memorial Fund (VMMF), a non-profit organization authorized by the U.S. Congress in 1980 to build, manage, and promote awareness for the Vietnam War Memorial (a.k.a. The Wall). Wright is responsible for overseeing educational programs to provide awareness of the Wall for all age-groups with a specific focus on K-12 through curricular materials, interactive learning modules on the VMMF web site, and distance learning. Wright focuses her work on helping teachers, students, and community members better understand the Vietnam era. Before coming to VVMF Wright worked for 10 years teaching U.S. History and Language Arts writing lessons and curriculum that strived to fuse the two subjects together in the hopes of creating meaningful conversations around history and literature within the classroom.
Ron Osgood is Professor Emeritus in the Media School at Indiana University, a documentary filmmaker and a Vietnam War veteran. His current project, “The Vietnam War/The American War: Stories from All Sides,” is an oral history project consisting of a documentary film, participatory website and eBook/App. Previous work includes “My Vietnam Your Iraq” an official selection at eight film festivals, broadcast on PBS in 2011 and available on DVD, Amazon Prime and iTunes; A three-part series “Climate Change in National Parks;” The Emmy-winning "Trouble No More: The Making of a John Mellencamp Album;” and “Shirts & Skins: The Psychology of Pickup Basketball.” The second edition of “Visual Storytelling: Videography & Postproduction in the Digital Age” was published in 2013 by Cengage Publishing. Included with the textbook is a series of online interactive teaching modules.
Patrick Shih is an Assistant Professor in the Department of Informatics at Indiana University. His research focuses on the study of sociotechnical systems and mechanisms to enhance physical and mental wellbeing and to facilitate civic engagement and environmental stewardship. Specifically, he leverages the awareness of individual and community activities embedded in sensor technologies, smart devices, social media, and online forums in the design, prototyping,
and deployment of novel personal health informatics interfaces and civic engagement platforms.
Barbara Truesdell is the assistant director of the Center for Documentary Research and Practice at Indiana University. Dr. Truesdell administers all aspects of the Center's projects and oversees the Center's extensive, growing archive of oral history interviews dating back to its founding in 1968. She received her Ph.D. from IU in folklore and American Studies in 1996. She has been doing fieldwork since 1985, and since 1992 has been conducting oral history training workshops for students, researchers, and community groups, including workshops in St. Petersburg, Russia, and Cluj, Romania. She is currently developing an online oral history training workshop in collaboration with the Instructional Systems Technology Department of the School of Education and the Center for Innovative Teaching and Learning. She teaches a class on oral history theory and technique for the Department of Information and Library Science in the School of Informatics and Computing.
Jake Hagstrom is a graduate student in the IU history department. His dissertation examines irregular war in the 19th century Atlantic, with a focus on American Indian Removal in Florida. Before arriving at IU, Jake served as an artillery officer in the US Army.
Michelle Dalmau is an Associate Librarian and Head of Digital Collections Services (DCS) at the Indiana University Libraries and Co-Director for the Institute for Digital Arts & Humanities (IDAH), a research center of the Office of the Vice Provost for Research, Indiana University Bloomington.
As Head ofDigital Collections Services, Michelle manages and coordinates digital library services for the Libraries and affiliated cultural heritage organizations across all IU campuses. As Co-Director forIDAH, Michelle fosters the development of digital arts & humanities infrastructure projects and initiatives through outreach, collaborative research and creative pursuits, consultation, professional development, and credit-bearing programs. Michelle has been contributing to national and international digital humanities discourse and initiatives since 2005, and plays a key role in supporting digital scholarship activities across the Indiana University Bloomington campus.
Institute for Digital Arts & Humanities A research center of the Office of the Vice Provost for Research, Indiana University Bloomington social media channels